33 Things You May Not Know About J.K. Rowling

J.K.Rowling-Facts

1. She has wanted to be an author ever since she can remember: “As soon as I knew what writers were, I wanted to be one. I’ve got the perfect temperament for a writer; perfectly happy alone in a room, making things up.”

2. When she was extremely young, she would sit and copy words from books “without knowing what the words meant”.

3. She wrote her first story – called Rabbit – age six, and wrote her first novel at age 11. It was about “seven cursed diamonds and the people who owned them”.

4. She was head girl at her secondary school, but doesn’t consider it much of an achievement.

5. One of her teachers, Steve Eddy, remembered Jo as “not exceptional” but “bright, and quite good at English”.

6. She applied to study at Oxford, but was rejected, and instead studied French at the University of Exeter. She said she did “no work whatsoever” while she was at university.

7. Her eldest daughter, Jessica, is named after Jessica Mitford, who was an author, investigative journalist, and civil rights activist.

8. It took Jo five years to plan all seven books in the Harry Potter series. Most of her plans were written by hand on odd scraps of paper.

9. She wrote the last book’s epilogue in 1990, before she had mapped out the series as a whole or even had a publisher.

10. In 2000, she said she’d hope to be placed in Gryffindor, but that in reality she’d probably end up in Ravenclaw. Later, the official Pottermore quiz sorted her into Gryffindor.

11. She has described Hermione as a combination of herself and her younger sister, Dianne: “that sort of annoying person who underneath is very insecure”.

12. When asked why Harry’s scar was shaped like a lightning bolt, she said, “To be honest, because it’s a cool shape. I couldn’t have my hero sport a doughnut-shaped scar.”

13. The “only time” she consciously put someone she knew into the Harry Potter books as a character was as Gilderoy Lockhart. She says she “barely exaggerated” what he was like in real life.

14. In 2003, her father sold a first edition copy of Goblet of Fire – which included a handwritten inscription reading “lots of love from your first born” – at auction for £27,500. They had stopped speaking earlier that year.

15. The three-year publishing gap between Goblet of Fire and Order of the Phoenix was a direct result of the pressure she felt because of the series’ success. She became so overwhelmed that she found it difficult to write, and told her publisher there “wouldn’t be a book next year”.

16. She maintains that she never truly finished Order of the Phoenix, saying she didn’t do her usual final edit before handing it over to her editors, “and it definitely shows”.

17. She almost called the final book Harry Potter and the Elder Wand and Harry Potter and the Peverell Quest, which she quickly decided against because the word “quest” was too cheesy.

18. Her favourite chapter from the entire Harry Potter series is Chapter 34 of Deathly Hallows, “The Forest Again”. Her favourite from the first book is “The Mirror of Erised”.

19. Her worst fear – like Mrs Weasley’s – is someone she loves dying. For that reason, she understands why Voldemort is so obsessed with conquering death.

20. If given the choice between all three Hallows, she would be tempted – like Harry – to choose the Resurrection Stone, but ultimately believes that “the greatest wisdom is in accepting that we all must die, and moving on”.

21. Her favourite funny line from the Harry Potter books is at the end of Deathly Hallows, when Ron responds to Peeves’ “Voldy’s gone mouldy” rhyme with “Really gives a feeling for the scope and tragedy of the thing, doesn’t it?”

22. At the height of the Potter craze, she had people going through her bins, stealing her post, and attempting to bribe her friends in order to find out information about the upcoming plot.

23. She briefly considered not publishing The Casual Vacancy – her first novel after Deathly Hallows – because she felt uncomfortable with the attention any book of hers would inevitably receive.

24. In 2011, Lifetime aired an unauthorised J.K. Rowling biopic called Magic Beyond Words, which she hasn’t seen because “the thought of watching it makes [her] curl up like a pretzel”.

25. In the same year, it was announced that she had become the first female billionaire novelist. She was removed from Forbes’ list the following year after giving around £100 million to charity

26. She once bought an expensive pair of earrings but felt guilty afterwards for spending the money, so wrote a cheque for the same amount to give to charity.

27. In 2013, she donated £10 million to help open the Anne Rowling Regenerative Neurology Clinic at the University of Edinburgh. The clinic is named after her mother, who had multiple sclerosis.

28. She read aloud from J.M. Barrie’s Peter and Wendy at the Opening Ceremony of the 2012 London Olympics, but initially said no, because she thought she’d “wet herself or faint or something”.

29. She was once invited to visit South Africa by Nelson Mandela, but had to say no because she was pregnant.

30. In 2006, she revealed she had written another children’s book, meant for a younger audience than Harry Potter. She called it “a political fairy story” and it was about a monster.

31. Doctor Who writer Russell T. Davies wanted her to star in an episode where her “imagination becomes real” and the Doctor has to “battle through a world of witches and wizards and CGI wonders”, but David Tennant refused the idea because it would be “too spoofy”.

32. She said that the author she identifies with most is E. Nesbit.

33. Her favourite drink is gin and tonic.

Via: https://www.buzzfeed.com/jkrowlingfacts

9 Reasons Why You Should Read Before Bed

bedtime reading

What does your typical bedtime routine look like? Do you snuggle under your recently washed sheets around 10:00 pm, a mug of warm milk in one hand and a Tolstoy novel in the other? Or do you flop into bed between one and five in the morning, eyes bloodshot, clutching your phone to your heart as you desperately scroll through photos of baby sloths? We all struggle to stick to a healthy bedtime routine. But if you can make it to bed with your favorite book, you might have a better night’s sleep. Here are just a few of the reasons why you should read before bed.

Now I know what you’re going to say, book-lovers: “Every time I read before bed, I end up staying up until dawn finishing my book! That can’t be good for my skin and general temperament!” And no, medically speaking, it’s not a great idea to read instead of sleeping. But if you can stick to just a chapter or three at bedtime, it could actually be good for your health.

So pry your phone out of your trembling hands about an hour before bed, and settle down with a good book (hot milk optional):

1. You’ll retain more

When you sleep, you brain dumps all of your short term memory goo into the long term memory goo-reserves (in a manner of speaking). That means that the things you read right before bed stick with you better in the long run. Read a book before drifting off, and you won’t forget any minor plot points.

2. It’s screen-free time

We all know that we’ll sleep better if we cut down on screens right before bed. And yet… most of us still fall asleep with our phones/laptops/video calculators pressed lovingly against our faces. But if you set aside bedtime for reading an analog, paper book, you get that rare screen-free time that your eyes desperately need.

3. It’s a calming ritual

If you have trouble getting to sleep, many doctors and bloggers will recommend a calming ritual to perform every night before bed. Reading is the perfect kind of ritual: it forces you to lie down and cut out the distractions, it’s quiet, and it doesn’t get boring because you’re always reading something new.

4. You can’t skip it

Unless there is something terribly upsetting going on in your life right now, you go to sleep every single day. You can’t skip bedtime more than once in a very great while without totally falling apart at the seams. So, if you make a habit out of reading before bed, you’ll set aside time for reading every day, and end up reading more books than ever before.

5. You’ll de-stress

Reading is shown to reduce stress levels. And I don’t know about you, but as soon as I get under the covers I immediately start ruminating on all of the things I have to do and all of the times I embarrassed myself in the third grade. Reading will ease some of your classic nighttime anxiety, so you can actually fall asleep instead of staring and the ceiling and worrying about honey bee deaths.

6. You’ll have better dreams

Do I have a very scientific source for this? Maybe not, but I’ve always found that whatever I read or watch right before bed heavily affects my dreams. So maybe steer clear of the Stephen King late at night, but feel free to read about exciting fantasy realms that you’d like to visit in your sleep.

7. You’ll be more focused

Not only does reading boost your concentration in general, reading before bed will help you concentrate more on whatever it is you’re reading in the moment. You won’t be battling ten thousand other distractions. You don’t have to deal with other commuters. No one will (hopefully) stop you to ask what you’re reading. Reading before bed is one of the few guaranteed moments of reading in peace.

8. You can read in privacy

It’s a little easier to be emotionally open when you’re reading in your own bed, and not at your work computer while your co-worker chews with their mouth open. You’re free to laugh or ugly cry or Google word definitions to your heart’s content when you’re safe in your own bed.

9. It’ll help you sleep

It’s true: reading before bed gives you a more restful night’s sleep. Specifically, reading a book made of genuine paper (sorry, kindle-heads) will calm your brain and help you transition peacefully into dreamland without any glaring screens. So put aside that Netflix show based on a book, and pick up an actual book tonight before you hit the sack.

Via: https://www.bustle.com/p/9-reasons-why-you-should-read-before-bed-63326

On Writing And Editing Sex Scenes In Fiction

Sex Scenes in Fiction

Sex scenes in fiction are a tricky subject. For a start – depending on your genre – should they be there? How much do you show? Should you write the whole scene or stop at the heavy petting? There are many, many questions. And one of the best articles I’ve read on the subject is by Helen Scheuerer, who gives some helpful tips and advice. Here it is, and I hope you find it useful:

Since getting stuck into the structural edit of my novel, I’ve been doing a lot of reading about sex scenes in fiction. When should they be included? What makes them work? What makes them fail spectacularly? What warrants a ‘Literary Review’s Bad Sex Award‘?

Originally, there was only one sex scene in my novel, but at the request of my publisher, I’ve since added two more in, and recently, I’ve had the somewhat surreal experience of critiquing these scenes with my editor.

Editing in general can often be an intimate discussion regarding the intentions and interpretations of characters versus those of the author, but when it comes to the more explicit scenes in fiction, the process involves even more lengthy debates.

My editor and I read articles on the subject, and researched the best sex scenes in literature (the library scene from Atonement topped most of those lists, in case you were wondering), and realised that in any context, sex is a tricky subject. Perhaps largely because it plays such a major role in people’s lives, and yet it remains arguably a mystery to us, often still taboo, and kept behind closed doors.

Within fiction it’s even more complex. I have friends who hate reading sex scenes in books as it makes them uncomfortable, and then I have friends who enjoy reading the more explicit scenes.

Personally, I’m often confused when there’s zero sex in a book, as it’s such a big part of life, it lays bare motivations, desires and consequences, all of which tell you a lot about a character. Sex can be ugly, uncomfortable and awkward just as much (if not more often) than the head tossing, back arching cliches we so often see in fiction.

It can mean the start (or the end) of something, and set into motion a series of events. It’s a fact of life, just like birth and death, violence and love – none of which we shy away from when we write, so why is it different? Why should sex be metaphorical and ultimately glossed over, when it’s acceptable to create a vivid description of someone being shot in the face?

My editor and I discussed all these issues, before we got down to the nitty gritty sentence-level of the scenes themselves. The scenes I included weren’t particularly explicit in terms of naming body parts and describing actions in detail, but there was definitely more description than the ‘kiss and fade out’ option some authors favour.

So, within the comments section of Microsoft word, my editor and I tried to work out what makes a sex scene ‘literary’, and what factors separate these scenes from erotica, or worse ‘smut’. The use of language in these scenes is definitely tricky; too anatomical and the moment’s ruined, too vague and no one knows what is going where or how the characters feel.

I also learnt as a writer, you also have to be wary of the fact that one person’s turn-on is another person’s deal breaker, which is probably why so many authors choose to keep it vague.

Additionally, I was aware of the fact that I was a female author writing a sex scene. I’ve spoken about the gender bias in the writing industry before, but realised it was incredibly present when it came to interpreting fictional sex scenes. Often, these scenes when written by women are seen as confessions, autobiographical even, which made me feel particularly uncomfortable.

What helped me move past this discomfort was the fact that I was writing from a man’s perspective. This helped me feel like I was keeping a relatively safe distance from the risks above, at least during the writing and editing process (perhaps another post will be due by the time these scenes are finalised in print).

Essentially, what I’ve come to understand is like most things in writing, there’s no ‘right’ answer, a writer just has to be aware of their own intentions, as well as that of their characters, and should work closely with an editor to make sure these two visions match up as best they can.

Lastly, I thought I’d list a few quick tips I’ve learned during this process below. Fingers crossed someone out there finds them useful…

Top 7 Tips For Writing Sex Scenes in Fiction

  1. Don’t include them just for the sake of it, like any scene, they should drive the story forward, or reveal something new about a character.
  2. Space out the explicit details with emotional responses, and revelations of character.
  3. Don’t say ‘member’, ever.
  4. Don’t make it perfect, nothing ever is.
  5. Accept that not every reader will find the same thing attractive.
  6. If you’re not comfortable writing them, don’t – that’s why there’s always a ‘fade out’ option.
  7. Accept that you’re going to have to be comfortable editing these scenes with someone in a professional capacity.

Via: https://writersedit.com/writing-editing-sex-scenes-fiction/

The Bath Novel Award 2017 Winner’s Announcement | The Bath Novel Award

Bath Novel Award 2017 Winner:

SOPHIE SNELL for THE PEAR DRUM

(Unpublished PSYCHOLOGICAL THRILLER)

Prize: £2,000

“I’m very excited by The Pear Drum’s commercial potential, and I loved the creepy concept and the gothic undertones.” Laura Williams, literary agent and 2017 judge.

The Pear Drum is a gripping read. Loved the fairytale elements and touches of the gothic.”  Joanna Barnard, author of Precocious and Hush Little Baby.

Sophie Snell - StorytellerSophie Snell is a traditional oral storyteller. After a first career in accountancy, motherhood rekindled her love of stories and storytelling. She found her head blossoming with characters and ideas and began travelling the country, entertaining all ages with folk tales and songs. Sophie lives with her family in a rural Derbyshire house filled with music, books, cats and steaming wet sports kit dumped on the kitchen floor.

Always fascinated by fairy tales, the spark for The Pear Drum came to Sophie after moving to the country and waking to find her hillside farm house marooned in a white sea of autumn mist. Sophie imagined a woman travelling back to her childhood home, only to find it filled with fairy tale horrors and elusive memories. Sophie put the unpacking of her removal boxes on hold, cleared a writing desk and finished The Pear Drum just in time for the Bath Novel Award 2017 deadline.

Read the opening pages of all five shortlisted novels here

Visit Sophie Snell’s website at www.sophiesnell.co.uk 

And see the winner announcement and shortlist here: The Bath Novel Award 2017 Winner’s Announcement — The Bath Novel Award

15 Books With Plot Twists You Never Saw Coming

plot twists you never saw coming

If you participated in Mystery & Thriller Week on Goodreads earlier this year, then you probably used the opportunity to crack open at least a few of those mind-bending, spine-tingling reads in your TBR pile. But with the week only running May 1 through May 7 (due to the fact that, you know, weeks are only seven days long) you may not have had quite enough time to get your fill of creepy, shocking, heart-pounding books with plot twists you never saw coming. (I barely made a dent in my own TBR pile, TBH.)

The good news is, you don’t have to stop reading great thrillers just because the Goodreads’ Mystery & Thriller Week is over. If you’re the kind of bookworm who loves her shelves stacked high with one shocking plot twist after another, then maybe every week is Mystery & Thriller Week in your reading life. Or maybe you used the opportunity to spark a new love of mysteries and thrillers — in which case you’re probably going to need some book recommendations, am I right? From classics like Henry James to contemporaries like Paula Hawkins, there are plenty of thrillers on this list that’ll shake up your reading life. And, if you like your plot twists a little less terrifying, there are also a few non-thrillers that will leave you just as floored.

Here are 15 novels with plot twists you never saw coming:

1. ‘Big Little Lies’ by Liane Moriarty

Even if you missed the HBO mini-series Big Little Lies, it’s not too late to check out Liane Moriarty’s New York Times bestselling novel from which the show was adapted. (And even if you did, there are some big differences between the novel and the show that are definitely worth checking out.) For those who don’t know, Big Little Lies tells the story of a group of mothers who are all wrestling different demons — some psychological, others pulled directly from the real world, and a few that fall under both categories, and they’re not always honest about it; often lying to each other and themselves. Somehow this novel will manage to both amuse and disturb you, often on the very same page. And it will definitely surprise you.

2. ‘Everything, Everything’ by Nicola Yoon

Another New York Times bestseller, this YA novel will surprise — and maybe even infuriate you — with its ending. (And if you haven’t seen the film yet, definitely read the book first.) Everything, Everything introduces readers to 17-year-old Madeline, a girl who has never left her house. She is, as she describes, allergic to the whole world. But when the tall, dark, and handsome teen Olly moves into next door, Madeline finally discovers something — or rather someone — she is willing to risk stepping outside for. But not everyone is going to be happy about it.

3. ‘Water for Elephants’ by Sara Gruen

Don’t let the performance of the circus distract you — Sara Gruen’s Water for Elephants has some surprising twists you’ll want to watch out for. In this Depression-era novel, penniless college drop out Jacob Jankowski hops a freight train in the middle of the night, and joins the circus; the Flying Squadron of the Benzini Brothers Most Spectacular Show on Earth, to be exact. But the most spectacular show on earth isn’t always all it’s cracked up to be, and behind the scenes things like sex and alcohol, violence and betrayal abound. And, everyone isn’t who they seem to be — or, at least, they’re not who they are for the reasons you might expect.

4. ‘People Who Knew Me’ by Kim Hooper

On September 11, 2001, Emily Morris’s entire life is transformed — pregnant and prepared to leave her husband for the man she’s been having an affair with, Emily instead uses the national disaster to take on a new identity, leaving New York City and the mistakes she made there behind. Fast forward 13 years, and Emily is raising a teenage daughter and battling a terminal illness — one that leaves her wondering if she can re-imagine her life, and more importantly the life of her 13-year-old daughter, once more. Maybe other readers predicted the ending of People Who Knew Me, but I definitely didn’t.

5. ‘Into the Water’ by Paula Hawkins

I don’t even know where to begin with this one. Into the Water is filled with more twists and turns than any book I’ve recently read — and once you think you’re starting to figure it out, author Paula Hawkins will surprise you again. This novel, from the bestselling author of The Girl on the Train, takes readers to a small, storied town, where a teenage girl and a single mother are found drowned in the nearby river — a river that has seen a disturbing number of drownings of women before. Suddenly, long-buried local mysteries rise to the surface, and there are a few people in the community who can’t let that happen.

6. ‘The Queen of the Night’ by Alexander Chee

A lengthy read, Alexander Chee’s The Queen of the Night is not, IMO, a book to be missed. Blending historical fiction with a mystery thriller, The Queen of the Night takes readers back to the historic Paris Opera, where the legendary soprano Lilliet Berne has just been given the role of a lifetime — one that will define her legacy in the opera forever. But as she begins to perform her part, she realizes the opera is based on a dark and secret part of her own past, which, if revealed, could certainly ruin her life. The thing that terrifies Lilliet even more than the opera itself is who could have committed her secrets to performance in the first place — and that’s the question that will keep you guessing as well.

7. ‘The Turn of the Screw’ by Henry James

Henry James’s The Turn of the Screw is a classic Gothic horror, telling the story of a governess who moves into an English estate to care for two children, only to have her sanity compromised by supernatural happenings and evil phantoms — phantoms that her two charges already seem eerily well familiar with. Or, was the well-meaning governess insane to begin with? If you haven’t read this classic yet, definitely check it out.

8. ‘Gone Girl’ by Gillian Flynn

The way I see it, Gillian Flynn’s Gone Girl did (at least) two important things for the thriller genre: it made thrillers appealing for people who never read thrillers, and it turned the violent male/victimized female formula of the genre entirely on its head. And I’m glad for that. If you haven’t read this one yet, you should. When Nick Dunne’s wife Amy disappears before their fifth wedding anniversary, suspicion immediately falls on Nick — who, let’s face it, isn’t awesome. And his lies make him look even worse. But the plot twist Flynn has in store might actually make you shout out loud from surprise, or throw the book across the room. Really.

9. ‘Waking Lions’ by Ayelet Gundar-Goshen

Set in the novelist’s native Israel, Ayelet Gundar-Goshen’s Waking Lions begins with a murder — the hit-and-run of an undocumented Eritrean immigrant by Israeli doctor Eitan Green. Eitan, speeding down a rural road late at night, slams into Asum and after a quick inspection of the immigrant’s body, decides to flee the scene. Except he’s left some evidence behind — evidence that Asum’s wife, Sirkit, will use to blackmail the doctor into operating a free, nighttime health clinic for Israel’s undocumented immigrants and refugees. In Waking Lions, the bad guys are the good guys, the victims are the perpetrators, and the ending is definitely not what you’ll expect.

10. ‘The Circle’ by Dave Eggers

Man has always had a complicated relationship with machines — but that relationship is getting a whole lot creepier of late. Written like 1984-meets-The Fountainhead for the social media generation, Dave Eggers’ The Circle will take you behind the scenes of one of the world’s most powerful tech companies — one that monitors your every move, where secrets, privacy, and unplugging are automatically suspect. What’s so shocking about The Circle isn’t the ending (with its strong echoes of Winston and Julia) but rather how familiar some of the disturbing happenings in The Circle will start to sound.

11. ‘Second Life’ by S.J. Watson

Another novel that will make you re-think your relationship with the internet forever, S.J. Watson’s psychological thriller, Second Life, tells the story of a fairly unremarkable wife and mother whose entire life is turned upside-down after her sister is murdered. According to Julia, the police aren’t doing everything to find Kate’s killer, and so she takes matters into her own hands. Suddenly, Julia finds herself immersed in her sister’s secret world of online dating and cybersex, and quickly begins to succumb to a hidden, and potentially deadly, digital “second” life of her own.

12. ‘The Westing Game’ by Ellen Raskin

Featuring a surprising plot for a YA/Middle Grade novel, Ellen Raskin’s The Westing Game just might have been your very first mystery thriller. In The Westing Game, sixteen characters are thrown together to play a series of games hosted by a dead millionaire — and lifelong lover of games himself. Samuel Westing’s will is filled with games, tricks, and mysteries, all leading his heirs to their share of his estate… and although all are somewhat eccentric in their own rights, one might actually be a murderer.

13. ‘Before the Fall’ by Noah Hawley

Alternating between the past and the present, Noah Hawley’s novel, Before the Fall, tells the story of a terrible (and unlikely?) boating accident. When an entire boat of people traveling from Martha’s Vineyard to New York one summer evening disappears into the thick fog off the coast, only two survivors surface: an unknown painter and a four-year-old boy who seems to have lost his entire family. But was the disappearance really an accident? As past and present begin to collide, and theories abound, the possibility that this was really a planned conspiracy becomes increasingly likely — and disturbing.

14. ‘The Kite Runner’ by Khaled Hosseini

Young Afghan boys Amir and Hassan might feel like they’re best friends, but the ethnic and tribal tensions that permeate every aspect of Afghan society say otherwise. Amir is the son of a wealthy Pashtun merchant and Hassan, of the Hazara caste, is technically his servant. But Baba Amir’s father, loves both boys as sons; often exhibiting a soft spot for Hassan, while critiquing Amir. This fear of disappointing his father causes Amir to betray his lifelong friend, threatening their relationship with more than just the dynamics of Afghan politics. And once Amir betrays Hassan, unforgivably, he discovers — through one surprising twist after another — that the rest of his life risks being defined by this betrayal.

15. ‘We Were Liars’ by E. Lockhart

The winner of several awards for books for young writers, E. Lockhart’s We Were Liars introduces you to Cadence Sinclair, a teen suffering from amnesia who is struggling to remember the accident that led to her injury, trusts no one, and is questioning everything — including her cousins and best friends, the “Liars.” Written in choppy, nontraditional prose, We Were Liars will take you through Cadence’s internal journey, into the darkest depths of her mind, leaving you wondering whether she is the victim of a terrible violence or an unreliable narrator. All is revealed in the end.

Via: https://www.bustle.com/p/15-books-with-plot-twists-you-never-saw-coming-56286

Tips For Writing Superbad Villains

villains_860

In today’s article, Sacha Black gives some tips on how to write a convincing villain.

Writers have a habit of worshipping their heroes. I know I do. It tends to be the first character we create when we start a new project, and that’s for a reason; our hero saves the day, and usually, that’s who the story is about.

But without Lex Luthor or General Zod causing chaos for Metropolis, there would be no need for Superman to save the day.

Bad guys, villains, gangsters, warlords, vigilantes, and anti-heroes create conflict. Which is why we need to bust the myth that your hero is the most important character in your novel. He isn’t. Your villain is.

But that gives writers a problem because villains are usually seen through the eyes of your hero, which means they don’t get much page time. That makes it harder to give a villain the depth they need to convince your reader they’re credible. Here are 5 quick steps to create kick-ass villains.

1. Understand Their Why

Some people use character interviews or sheets to develop their villain; others wing it as they go. Both ways work. But the one vital piece of information you do need to know is – why your villain is doing what he’s doing.

We all do things for a reason, often because of an amalgamation of experiences in our past. It’s the big events, the things that wound us for instance, losing the love of your life, or not making it to your parent’s deathbed.

Those events shape our brains and the way we see the world and ultimately, they become the source of the decisions we make. All of a sudden, rational thought leaves a villain and doing something immoral or unjust is perfectly valid because that’s what experience has taught them.

The Lion King is a great example of this. The King, Mufasa, has a brother called Scar who grew up in his shadow, always second best. As a result, Scar becomes bitter and jealous. In his mind, he deserves the crown. Therefore, anything he does to get it is fair. His jealousy is the reason why there’s conflict, and that conflict over the crown drives the plot.

2. Motive and Goal

Motives and goals are closely linked:

The goal is what a villain wants e.g. a throne or a squillion dollars.

The motive is the reason why he wants it e.g. he thinks he deserves the throne or wants to be rich.

Motive is the foundation of your story because:

No motive means no conflict, and no conflict means no story.

If your villain doesn’t have a motive, neither does your hero. Put it this way:

You’ve identified your villain’s ‘why,’ the source of their behavior. Add that to a motive – revenge or a warped view of justice, and that gives you the action your villain takes to reach his goal. Which leads to your hero’s reaction saving the day. Simply,

Why + Motive = Villain Action

Therefore, Villain Action = Hero Reaction

3. Make the Conflict Specific

When it comes to conflict, you can’t be broad. Half measures won’t work. That’s like going into a bar on a Friday night and ordering half a shot of tequila. No one does that unless they’re cheap, or a chicken. You’re just short-changing yourself a Saturday morning hangover. While no one wants an ethanol-induced hangover, readers do want a book hangover.

To give a reader what they want, the conflict has to be full of drama to suck a reader in.

The best way to do that is to create conflict that’s specific and targeted so that the hero and villain both invest in fighting each other.

For example, if a wild-eyed science genius is considering releasing a plague, but your friend’s sister-in-law’s cousin said it might only effect ostriches, then no one’s going to get out of bed to save the world. Be specific and link the conflict to your hero/villain’s goals.

Scar wants his brother’s, crown, so everything he does is targeted straight at his brother and his son.

4. Know Your Cliché From Your Trope

There’s a big difference between a cliché and a trope. A cliché is old and tired, it’s been done to death, and when you read or watch a cliché, it makes you cringe. Like a lawyer shouting ‘objection’ in the courtroom or the lover arriving at a marriage ceremony right as the priest says ‘does anyone object?’

For a villain, clichés could be a witch with a cackle and a wart on her nose, or a bad guy dressed head to toe in black, sipping on red wine with an oil painting portrait hanging above a roaring fire. Get the picture? Good.

Clichés are pesky little irritants; they sneak into our stories without us realizing. The important thing is for you to eliminate them regularly.

Tropes, however, are very different. Your novel needs tropes like your body needs oxygen, desperately, and on a permanent basis!

A trope is a pattern. Like a theme or concept that’s found embedded in particular genres. The difference is, a trope can be used time and again.

For example, in fantasy, there might be a magic sword, or ‘the chosen one’ character who is the only one that can save the day. In crime, it could be a maverick detective whose underhand tactics save the day.

The best way to nail down the tropes from the clichés is to read and watch everything you can in your genre. Do it obsessively and jot down the patterns that keep arising.

5. Make Your Villain Unbeatable

Nobody likes a hero who gets it easy. You know the ones – the guys that always land on their feet and defeat the villain with a mere waft of their shapely biceps. It’s boring because it’s unrealistic. Life isn’t like that so your story shouldn’t be either.

Readers want to relate to your hero. That means he needs to work hard for his win. He needs to defeat a huge villain shaped barrier that seems, for 85% of your novel, like it’s totally insurmountable.

How do you make the villain seem undefeatable?

Make your villain an expert at something – if your villain is an expert in amassing huge armies, your hero is going to struggle to gather a rabble of misfits big enough to defeat him.

Inextricably link to your hero’s character arc to your villain-barrier. Think Thor from the Marvel universe movies. Thor was so arrogant and selfish his father cursed his magical hammer (the hammer that can defeat the villain) until he can change and prove himself worthy of the power the hammer wields.

Your Villain Matters

Remember, your villain needs as much love as your hero does. If you accept that, and devote as much time to shaping your villain as you do your hero, your story conflict, pace and tension will be much better for it.

How superbad are your villains?

Via: https://www.thecreativepenn.com/tips-writing-superbad-villains/

How I Got Published | Louise Beech

Louise-Beech

Today, an article all about “How I Got Published” by Louise Beech, which I hope you will agree is a very interesting read. Enjoy!

How did I get a book deal? It’s one of the things I’m frequently asked about at book events and festivals. How did I get published?

Unless the person asking – usually a hopeful writer, like I’ve been most of my life – has five hours, the determination to still keep writing despite my reply, and a pretty thick skin, I can’t respond fully. Time and a desire not to dishearten them prevents me answering in detail. Because my journey was long. Ten years long. People serve less time for serious crimes. It was littered with rejection upon rejection upon rejection. There was no satnav to tell me which way to go so that I arrived more easily at my destination.

There’s no magical right answer to the question of how to get published. Every single author will likely have a different tale to share. Some might have enjoyed a quick trip from writing a first novel to book deal, some may have got lucky with their tenth book, but most are probably still driving down the motorway, looking for the right exit.

All I can share is my story. And here it is. Are you ready?

I’ve been writing since I could hold a pen. I filled notepads and exercise books with entire novels (chapters and contents page included) from the age of nine. Writing was then – and still is – pure joy to me. The place I escape to, the place I feel safest, the only place in the world where I really feel I know what I’m doing, and that I’m doing what I’m supposed to be. As a teenager, I started my own magazine to rival the school one, and told anyone who would listen that I’d one day be a world-famous novelist. (That I’m still hoping for.) Then life took over a bit when I got pregnant at nineteen…

In my early thirties, I sent some pieces I’d written to our local newspaper and was offered my own column, Mum’s the Word, in which I wrote for ten years about being a parent. I also began to write short stories. Lots of them. I sent some out to magazines, entered some in competitions. Rejections came thick and fast. I cried the first time. But only once. I got up, wiped the tears away, and decided I had to improve. I wrote more. Slowly, they began being accepted. First by small ezines, and eventually by national magazines. I shortlisted twice for the Bridport Prize.

That was what gave me the confidence to write a novel. Every bit of advice I’d read suggested a writer hone their craft via the precise art of producing short stories, and by joining forums to gain harsh critiques in order to improve. I’d done both. So, after we flooded in 2007 and I had more time due to giving up work to care for my ill daughter, I started Maria in the Moon. It took me six months. It was a labour of not only love, but of tears. When I write, I give everything, and that can be draining afterwards. I let it ‘settle’ and then edited it some more. Then I sent it out to every agent and publisher. Over a period of a year, every single one of them rejected it.

I took time to recover – it’s hard, there’s no denying it, when your lovingly created work is rejected by everyone – and in 2009 I started a second novel, The Lion Tamer Who Lost. I tried to use all the advice I’d been given on forums, and all the tips I’d read by successful authors, but most of all I went back to the place where I knew I was supposed to be. Writing. Six months later I sent it out to every agent and publisher. They all rejected it.

In 2011, I went back to Maria in the Moon and tried to improve her. I tried a couple of new agents. Success! (Or so I thought.) A lady from United Agents invited me to visit her. Carol really liked it and took me on. She did everything, but – again – all the publishers she sent it to said no. One of them liked the style and asked if I had any more ideas for a novel. I told her about The Lion Tamer Who Lost but she didn’t like it. I mentioned one I had in my head, and she liked the sound of it. So, in 2012, I wrote The Mountain in my Shoe.

She said no. Carol sent it to other publishers. They all said no. Some had positive comments, but the general problem seemed to be what I was. Where I fit. I was that difficult creature – I didn’t fit into a genre. But I refused to conform. When I write I can only write what must be written. I can’t fit into some narrow niche. It isn’t me. But this was only going to make things harder.

Ironically, after being told that not fitting into a genre would hinder me, in 2013 I started the novel that was my most unusual and hardest to define – How to be Brave. This was one book that refused to kowtow to any market. I knew this would be my hardest sell, and yet I had to write it. Just as I finished, Carol told me she was retiring. She did everything to try and secure me another agent, but no one was interested. I was on my own again. I had written four books now.

I sent How to be Brave to every agent and publisher. They all said no. At the end of 2014 it shortlisted for a big competition. This is it, I thought. The prize was a book deal. And I was going to win. I wore my lucky red dress, told husband Joe that I knew someone in a red dress was going to win. We arrived at the prize-giving and another writer had on a red dress. She won. I was genuinely happy for her, because I knew how happy she must be. But I cried all the way back to the hotel. I was inconsolable.

I’ll admit, that was the hardest time. Friends asked how I could go on writing in the face of constant rejection. I said I did because I knew one day it would happen. I really did. But I began to lose my faith a little. I began to wonder if I could write a fifth book and go through it all again.

Then on Twitter I saw that a vivacious woman called Karen Sullivan was starting up Orenda Books. She wanted to publish beautiful books. Books she loved. I cheekily (this goes against all professional advice, folks!) tweeted her and asked if she would read How to be Brave. She said yes. She and slush reader Liz liked it. I had a tense wait for a definite answer, between Christmas 2014 and February 2015.

Louise Beech screen-shot-2017-07-03-at-11-11-45

Then on 9th February 2015 Karen emailed to say she loved the book, and of course it was a yes. I think, having read my journey, you can imagine how I felt. It makes me teary now to revisit. I know now that I only got rejected because I was supposed to be with Karen. She’s the only one who ‘got’ me. Got my books. Two years on, she has published the other novels no one wanted. Next year she will publish The Lion Tamer Who Lost too.

And I’m back to do doing what I love, but without all the tears. Writing. I’ve started book five, loosely titled Star Girl. And it’s exactly like when I was nine and filled notepads with words. It’s where I’m supposed to be. What I’m supposed to be doing. And I’m glad I never gave up.

Via: https://louisebeech.co.uk/2017/07/03/how-i-got-published/

Writing Prompts: Perspective

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Perspective is an essential part of writing, and as well-known piece of advice is to always “write what you know”. But if we followed this idea we would miss out on a lot of great stories (not just from genres like sci-fi and fantasy, but stories written in other times, settings, or countries).

This writing prompt is about breaking the rules and immersing yourself entirely in another space and time to gain new perspectives, even when you have no solid real life experience.

Think outside your square

Imagine a character that lives in a country or city you’ve never visited, and then choose a time period that is either past or future, but not present. You don’t necessarily have to know historical or geographical details of this time and place, and it’s probably better if you don’t.

Write a few paragraphs or a short story that takes place in this completely unknown world. Don’t worry about being factually correct because this writing prompt is only designed to put yourself in someone else’s shoes, and whose shoes they are doesn’t really matter.

Using your imagination and general knowledge to create something new in a story-world that is alien to you will get you used to seeing from other perspectives which will help you in your own work. Whether you’re writing for the opposite gender or writing something set in the 1800’s, you have to be able to re-create and re-imagine something you’ve never really known.

We can never have complete personal experience of every time and setting, so why restrict ourselves to stories that we ‘know’?

Happy writing!

Via: https://writersedit.com/weekly-writing-prompts-23/