The Secret to Being a Happy Author

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I read this lovely post by Sam Tonge, and wanted to share it here – as it is very good and grounded advice. Something all writers and authors need to take on board.

It’s a tough business, publishing. I recall, years ago, a successful author warning a group of aspiring writers (me amongst them) to be careful what they wished for – that getting published didn’t solve all your problems. In fact, it brings a different set. And I can certainly confirm this. Don’t get me wrong, I love my job and consider myself very lucky to be doing it –  but signing that deal means that instead of suffering submission rejections you are faced with a whole new gamut of challenges, such as tight deadlines, bad reviews, disappointing sales…these things happen to all authors and can come as a shock after finally achieving your dream.

It pays to bear in mind that most dreams are unrealistic – the getting published bit isn’t, but it’s what we subconsciously attach to that aspiration. Your view of “getting published” might be that… you earn loads of money. Buy a big house and fancy car. Gain respect from everyone you meet. Suddenly become irresistible to the object of your affection. Never feel depressed again. End up on the Booker List. Stand on the red carpet next to George Clooney. Fit into that size ten dress. Prove to everyone who ever doubted you that their view of you was incorrect.

IT IS UNREASONABLE TO EXPECT ANY OF THESE THINGS TO HAPPEN AS A DIRECT RESULT OF FINALLY GETTING YOUR BOOK OUT THERE!

So how can us writers hold onto our happiness during such a roller coaster career?

Over the last year I’ve learn a lot from Buddhism. One of its tenets is that unhappiness comes from being attached to either good or bad things. What helps is realising that nothing is permanent. If we can do that, our life will achieve a sense of balance.

Take my 2015 bestseller Game of Scones. It reached #5 in the Kindle chart and stayed in the Top Ten for a good length of time. It won an award. Many readers loved the story. I was finally on my way to “making it” I whooped! I attached myself to that success and expected it to continue.

That was my  mistake. The next book didn’t do badly, but didn’t do as well. I felt I’d failed. I attached myself to those feelings of disappointment and wondered if I’d ever have a bestseller again.

As it turned out I did and last year Breakfast Under a Cornish Sun got to #8. However, these days I have a different perspective. I don’t become attached to the peaks or the troughs. And I have zero expectations when a book is released. I write it the best I can, with love and heart, and I promote it at the outset… but then I let it go and get on with my next project. What will be will be. There are SO MANY reasons why a book does or doesn’t do well: the publisher’s strategy, the cover, title, price, the timing of its release, the other books around at that moment… I find that if I distance myself from my successes and see them for what they are – transitory events – it gives me a much more balanced view of my career.

Remember, the path to misery is littered with expectations and senses of entitlement!

And all of this can be applied to life. Physical looks, our own and loved ones’ personalities, domestic circumstances, financial earnings, our state of health … be aware that everything is impermanent and in a constant state of flux. This makes it easier to accept your situation when the status quo changes – which it will.

By all means enjoy your highs. You have worked hard. You deserve them. And lick your wounds during the lows. But remember – neither is permanent. Work hard and keep submitting manuscripts and you will get a deal. Keep writing and learning more about your craft and those good reviews and sales rankings will once again appear. Finding working with your current publisher/editor/agent difficult? One way or another that situation won’t last forever.

In my experience, keeping detached and enjoying the good moments simply for what they are (without further expectations), and realising the bad moments will eventually pass… THAT – in writing and in life – is the secret to happiness.

Via: http://samanthatonge.co.uk/news-and-blog/the-secret-to-being-a-happy-author/

What Your Writing Style Says About You

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So you’re a writer. My condolences. You might be a fresh faced creative writing major, or a veteran freelancer, or a new writing convert with a fancy pen and a lot of ideas. There are many different types of writers, and there is no one “right way” to write. But you’ve probably noticed by now that there’s a certain pattern to your particular writing. Like it or not, you have a signature writing style, and you should probably learn to embrace it or you’ll never finish that manuscript. Here’s what your writing style says about you.

If you’ve ever read about famous writers’ writing habits, you’ve probably notice that writing styles vary wildly from person to person. Maya Angelou wrote in a hotel room with a glass of sherry. Ernest Hemingway wrote standing up. Haruki Murakami wakes up at 4 a.m. everyday to write before running 10km. The common factor with all successful writers just seems to be that they kept at it. So, whichever writing style seems to work for you, just keep going until you hit that final page count. And maybe take a moment to think about what your writing style means, because every writer could use a healthy dose of self reflection and listicle-based procrastination:

The Procrastinator

You have elevated Not Writing into an art form. You sit down to write… and then somehow you find yourself washing the windows, or watching unboxing videos on YouTube. The only thing that can actually motivate you to work is last minute panic — so you’ve become a master of the lightning fast rewrite. You can churn out ten pages the day of your deadline. You think that arriving anywhere early is an act of aggression, and you’re always changing plans so you can submit your work on-time, but you’re excellent when it comes to thinking on your feet and improvising (especially improvising excuses).

The Nine-to-Five-er

If your writing time isn’t rigorously scheduled, it’s not going to happen. You’re an early riser who sets word count goals, takes regular snack breaks, and keeps track of pens. People think you’re naturally organised, but really, if you didn’t schedule things, your life would very quickly collapse into a vortex of chaos. You’re the friend who people rely on for getting to the airport, you keep a physical planner, you set timers, and lending out your good pens makes you anxious (you’ve been burned too many times before).

The Nocturnalist

You’re basically a vampire, if you replace all that bloodsucking with writing and eating dry Lucky Charms out of a mug. During the day you work a day job or sleep, but when the moon comes out you set up shop and write long into the night. Or maybe you plan to stop writing at a reasonable hour, but you get caught up in your screenplay and/or suspense novel, and before you know it the birds are chirping. You’re passionate about your writing, but frequently tired, and you’re forever frustrated when friends won’t answer your texts at three in the morning.

The Diligent Note-Taker

You never go anywhere without your notebook (or legal pad, or voice-to-memo app). You’re constantly scribbling down ideas, or even entire overheard conversations. You’ve gotten in to trouble for putting your friends’ quotes into your writing verbatim, but you’ve got to draw inspiration from somewhere, right? You’re almost constantly in writing mode, which is great for coming up with new ideas, but not so great when you need to put your story on pause and focus on your so-called “job.”

The Plotter

The dark cousin of the Note-Taker, the Plotter doesn’t write a word without several charts, outlines, and perhaps a binder full of paper on plotting. The Plotter approaches writing as a subset of engineering: in order to build something great, you first need several month’s worth of math. As a Plotter, you take a little extra time on big projects, and your friends don’t understand half of what you’re talking about. But your detail work is impeccable, your character backstories are extensive, and you throw the world’s best theme parties.

The Research Fiend

You have an encyclopedic knowledge of Heian Era Japan and the history of conjoined twins in America, but you’re not quite sure how to fit it all into your Veep spec script. You live for the thrill of the research, frequently fall down Wikipedia wormholes, and you consider reading to be a form of writing (you’re absorbing material!). You sometimes overwhelm people with your enthusiasm and exhaustive knowledge of cat breeds/fencing/space travel, but you’re a killer at bar trivia.

The Inspiration Seeker

Writer’s Block is your constant nemesis. You make the time for writing… and spend it staring vacantly into space. You spend a lot of time “courting inspiration” by trying out various writing spots, music choices, and latte flavors, to see what gets your creative juices flowing. When the inspiration finally hits, though, you’re a writing machine. You also spend way too long looking at the menu at restaurants, trying to decide what you want, but you’re a great friend to talk to about emotions, because you understand frustration very, very well.

The Speed Demon

You’re all about writing as much and as quickly as possible. You’re strategy is to throw absolutely everything at the wall and see what sticks. You’ll pare it down later. That’s what editing is for! You’d much rather hit that page count as soon as humanly possible, and worry about the finessing later. You’re not great at sitting still and you have no patience for meandering slice of life films.

The Detailer

The opposite of the Speed Demon, you know that writing isn’t a race. You’ll put in one comma in the morning, go about your day, and take the comma out again that night. You’ve been working on your magnum opus for years now, because you know that great work takes time. You take font choices seriously. You’re thoughtful and methodical in everything that you do, and you never let anyone see your work until you have the description of every character’s hair colour precisely right.

The Multi-Tasker

You write under the table during meetings. You have two novels and one play going at once. You’re always reading no fewer than three books at any given time. You can keep four or five online chats going at once, not to mention all those group texts. If you get blocked on one piece of writing, you just bounce on over to another (starting things is a no brainer, but finishing them is a tad harder). You drink a lot of coffee and sometimes have to be reminded to eat.

The Workshopper

You live for the feedback. Giving it, getting it, either way — you like having a writing workshop group to force you to actually sit down and write. You never know what to do with a finished piece of writing until an incisive piece of feedback slaps you in the face. You regularly outsource your outfit choices to friends, you send detailed reports on first dates, and you’re always trying to trick people to come to coffee shops with you and make you write.

The Secret Writer

You don’t talk about writing. You don’t share your writing. You only write in total solitude, preferably in some sort of cavern or attic. You’re kind of hoping that you can become a wildly successful novelist without ever letting anyone read what you’ve written but you understand that might be difficult. You don’t like social media or workshop groups, but you do kind of like the dual identity thing you have going on, because you’re basically the Batman of writing.

***

Via: https://www.bustle.com/what-kind-of-writer-are-you

Writers and Authors: 5 Reasons to Drop the Word ‘Aspiring’

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There is no such thing as an ‘aspiring writer.’ You are a writer. Period.” – Matthew Reilly

The term ‘aspiring author’/’aspiring writer’ is thrown about in literary circles without anyone giving it so much as a second thought.

It certainly seems like a harmless enough phrase. You’ve no doubt used it yourself, I certainly have. But harmless as it may seem, the term ‘aspiring writer’ is actually quite problematic, and could even be holding you back in your writing career. So the sooner you quit employing the phrase, the better.

Here’s five reasons why you should never refer to yourself as an ‘aspiring author’ ever again:

1. ‘Aspiring’ is an abstract term

Aspirations exist only in thought, not in actuality. To ‘aspire’ is to think, not to do. In this way, the term ‘aspiring writer’ allows for a state of inactivity. Or, as author Chuck Wendig puts it,

“Aspiring is a meaningless, null state that romanticises Not Writing.”

By dropping the term ‘aspiring’ and stating instead ‘I am a writer,’ you confirm to yourself, and to the world, that yes, you are actively working on a writing career. You are writing. You are a writer.

2. ‘Aspiring’ takes the pressure off

By describing yourself as an ‘aspiring writer’, you are essentially stating ‘I am not a writer now, but I would like to be one at some vague point in the future’. In doing this, you are reinforcing the notion in your head that all your writing efforts – all your physical, and actual hard work in pursuing your dreams – all lie beyond the present moment.

The pressure is taken off to write right now. In other words, what you are doing is permitting a ‘diet-starts-tomorrow’ mentality for your writing. But as a little, redheaded orphan once reminded us, ‘Tomorrow’ is always a day away.

Thus, ‘tomorrow’ never comes. So, if you truly want to be a writer, don’t wait until tomorrow, start today.

3. ‘Aspiring’ undermines self-esteem

Think of all the times you have described yourself as an ‘aspiring writer’. How often have you employed the term out of a lack of confidence or self-belief? Because you didn’t feel ‘qualified’ to call yourself a writer. But even if this is not the case, the term itself could be eating away at your self-esteem, without you even realising it.

As we have already established, ‘aspiring’ implies that the state of actually being is a thing of the future. In other words, stating you are an aspiring writer implies that you will not actually be a writer until some, unknown, future date.

In this way, when you use this term to describe yourself, you nurture the subconscious belief that your goal of becoming a writer will always lie just beyond your grasp – just out of reach. Such a belief is extremely demotivating, and can thus undermine your self-esteem.

So the next time you describe yourself, try using a more reaffirming phrase. Don’t say ‘I’m an aspiring writer.’ Say ‘I’m a writer.’

4. ‘Aspiring’ is a term to hide behind

Writing is a very difficult profession. Unfortunately, not all who turn their attentions to the written word succeed. For this reason, those of us who do feel the yearning to construct worlds out of words carry a great deal of anxiety.

We fear failure. We fear others seeing us as failures. And if we admit that we are writers, we must then own up to how much or how little success we have actually found.

Therefore, when we are faced with the judgemental eyes of a long lost acquaintance, probing us with the question, ‘And what do you do these days?’, we feel the need to apologise for the fact that we are not J.K. Rowling. We fear being labelled a failure or pretender, simply because we haven’t sold a million copies of that novel we’re drafting.

So we hide. We hide behind the term ‘aspiring.’ Because if we are merely aspiring, it’s okay if we haven’t found success yet. Because ‘aspiring’ means we aren’t necessarily trying. We are thinking, not doing.

But here lies the problem: if we never accept our title, if we do not stop hiding from our passions and begin at last to pursue them wholeheartedly, we will never find the success we so long for. It’s time we admit what we are. We are writers. No more aspiring. No more hiding.

5. Take yourself seriously

The moment you stop calling yourself an ‘aspiring writer’ and start calling yourself a writer, is the moment you begin taking yourself seriously. This is extremely important, as writers are constantly required to make others believe in them.

We must convince agents, editors, publishers, and readers that our writing is worth their time – that they should take us seriously. But this, of course, is impossible to do unless we take ourselves seriously, first.

So the next time you need to explain to anyone ‘what you do’, don’t shy away and hide. Have confidence in your abilities, and never refer to yourself as an ‘aspiring writer’ ever again. You are a writer. Period.

Via: http://writersedit.com/5-reasons-drop-aspiring-aspiring-author/

Call Yourself A Writer – Right Now!

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When is it the right time to call yourself a writer? Anyone can call themselves a writer, but let’s say you’re serious in that you try to write regularly, and possibly submit work. You’re probably unpublished. So now’s the time to practice telling people when they ask what you do, that you’re a writer.

Via http://booksbywomen.org/call-yourself-a-writer-right-away-by-denise-barnes/