3 Things to Cut From Your Writing 

I believe that within each writer there is an editor, a source of self-criticism that can take our work to the next level with a simple re-read and a dash of red pen. Of course, self-editing is not the end of the line when it comes to polishing your writing (workshopping and seeking a third-party editor is invaluable) but you can do a lot for your story, poem, or script by simply cleaning it up yourself.

At sentence-level (looking at each word and how it functions within the sentence it forms) you can usually cut, condense, or re-word to enrich your writing. There are many things that you could focus on when self-editing at sentence-level (from tone and voice to word-choice and vocabulary) but without even delving too deeply you can tighten and intensify your style.

But before you email your writing to a friend, or send off your submission to an agent, take the time to focus on the following to wake up your inner-editor:

Cut adverbs

This may sound harsh, but adverbs are lazy. Adverbs work against the idea of ‘show, don’t tell’ by telling the reader that ‘the star shone brightly’ rather than showing that it ‘twinkled and glittered like a lost silver coin’, for example.

There is almost always a way to show an adverb rather than telling it, and sometimes you can just cut them entirely and your writing hasn’t lost anything.

The more adverbs you use, the less interesting and unique your descriptions become. So any time you can show your adverb, or cut it entirely, the more enjoyable your writing becomes to read.

Omit needless words

It was the great Strunk who hammered the following into E.B. White’s brain, and it stands true today. We pack our writing (as we do our speech) with ‘filler’ words, words that don’t add to the sentence but just take up valuable space.

The main culprits to take note of include: really, very, just, so, a lot, pretty much, rather, quite, and sometimes.

Sometimes these words are necessary, but you’ll know when to get rid of them and when to re-write them. Check out this cheat sheet for ideas on how to get around lazy ‘very’ words.

Unnecessary words can also work their way into your writing by means of tautology or repetition. When you’ve said one thing but reiterate it in different words you’re creating unnecessary work for the reader, and using up your word count.

Comb back through your writing and analyse the importance of every word at sentence-level, cutting the ones that are pointless. Be ruthless. This will tighten your sentences and give greater impact and immediacy to your writing.

Avoid clichés

We wouldn’t have them if they weren’t so good. But it’s like flogging a dead horse (see what I did there?). Clichés are used so frequently in our everyday language that it feels natural to slip them into your writing, and you don’t even notice.

They’re often brilliant images or analogies, but when you’ve heard them all your life they become meaningless and dull.

If you find the perfect cliché to sum up your character’s emotions or thoughts, cut it and re-write your own with images that are original and new. Creativity is refreshing, so use it to your advantage to wow your reader with new words in new ways.

***

I hope you find these tips useful. Happy writing!

Via http://writersedit.com/top-3-things-cut-writing/

Embrace the Art of Editing

Art-of-Editing-1

When I write, I write alone.

This statement is true for most people who take on a creative pursuit such as being an author. In fact, solitude is often the key to finding ‘the flow’ or ‘the zone’ or whatever you like to call the wonderful state where words pour onto the page bringing ideas to life. But when the story reaches its conclusion, or creative flow eludes you, being alone can become simply, lonely. That loneliness can create a space where self-doubt grows, making it even harder to keep trying.

When you finally send your work out into the world, perhaps to an agent or a professional editor, you can be forgiven for being a little apprehensive whilst awaiting a response. After all, you are sending out your darlings to be judged.

However, hearing someone’s thoughts and opinions about your work will help you see your writing in a new light. There’s always the risk of getting too close to a story, whether it’s fact or fiction. The people, good or bad, and the drama can come to affect you so deeply that objectivity becomes difficult. You begin writing from the heart rather than your head, so removing yourself enough to know what to cut can be near impossible.

In the case of fiction, it is rare when an author is not emotionally involved. We create characters from our imaginations, giving them life, hopes, dreams and obstacles to overcome. So similarly, when it comes time to edit, one of the hardest things to do is ‘kill our darlings’ – as it should be!

Editors can be objective. Whether we are talking about journalism or fiction, they are not emotionally invested like the author. Their job is to take a clinical look at the piece. They are experienced wordsmiths who can examine word placement, flow, character, plot, structure and the basics of spelling and grammar in order to give constructive feedback.

Having at times been both an editor and writer I have learnt a very important lesson; editing is essential, regardless of the form of writing and it is something we need to learn to embrace. There are horror stories about bad editors who do more harm than good, so as an author it is always your job to maintain the integrity of a story or article. However, also remember good editors have just one goal in mind – to make your writing the very best it can be.

The key is not to take feedback too personally, something often easier said than done. Not all editors are gentle and sometimes they point out things you don’t want to hear, but all feedback will teach you something.

While it can be confronting to open yourself up for criticism, editors also help give you confidence in your creation by making sure the story essentials are all clear and in place. So if you’re lonely or struggling, find an editor and don’t give up.

Things to remember:

  • See feedback as an opportunity to improve
  • Don’t be precious or defensive – if you really don’t agree, don’t make the changes
  • Keep an open mind
  • Enjoy the process of sharing your work
  • Be brave

Finishing a writing project, big or small, is an achievement that should not be understated. Many writers work around day jobs, family and dozens of other life obstacles. So keep writing and embrace editing, you never know where you might end up.

Read the original article here: http://writersedit.com/embracing-art-editing/

Embracing the Art of Editing

Art-of-Editing-1

Having at times been both an editor and writer I have learnt a very important lesson; editing is essential, regardless of the form of writing and it is something we need to learn to embrace. There are horror stories about bad editors who do more harm than good, so as an author it is always your job to maintain the integrity of a story or article. However, also remember good editors have just one goal in mind – to make your writing the very best it can be.

The key is not to take feedback too personally, something often easier said than done. Not all editors are gentle and sometimes they point out things you don’t want to hear, but all feedback will teach you something.

While it can be confronting to open yourself up for criticism, editors also help give you confidence in your creation by making sure the story essentials are all clear and in place. So if you’re lonely or struggling, find an editor and don’t give up.

Things to remember:

  • See feedback as an opportunity to improve
  • Don’t be precious or defensive – if you really don’t agree, don’t make the changes
  • Keep an open mind
  • Enjoy the process of sharing your work
  • Be brave

Finishing a writing project, big or small, is an achievement that should not be understated. Many writers work around day jobs, family and dozens of other life obstacles. So keep writing and embrace editing, you never know where you might end up.

Read the full article here: http://writersedit.com/embracing-art-editing/

3 Things to Cut From Your Writing 

I believe that within each writer there is an editor, a source of self-criticism that can take our work to the next level with a simple re-read and a dash of red pen. Of course, self-editing is not the end of the line when it comes to polishing your writing (workshopping and seeking a third-party editor is invaluable) but you can do a lot for your story, poem, or script by simply cleaning it up yourself. Develop your inner editor by cutting the following unnecessary frills from your writing:

Via http://writersedit.com/top-3-things-cut-writing/

How to Self Edit and Proofread your Book

how-to-self-edit-and-proofread-your-book

Self-publishing may be an inexpensive way to publish a book, but without thorough proofread and editing, it can turn out to be an embarrassing disaster.

While there is just no escaping the absolute necessity of having an independent pair of eyes at least proofread your book before publishing, you can save yourself a lot of money and embarrassment by doing some of the work yourself.

However, our brains are programmed in an odd way that can make it difficult to find errors in our own writing. So here are a few ways I have found that work effectively. This is not to say that you will achieve perfection, but I guarantee you will be very surprised by the number of errors you do find.

Via http://www.justpublishingadvice.com/how-to-self-edit-and-proofread-your-book/?utm_source=ReviveOldPost&utm_medium=social&utm_campaign=ReviveOldPost