How To Keep Writing In Tough Times

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If you’ve found yourself in the midst of a difficult season, what can you do to keep moving forward with your writing? Here are 3 ways to keep writing through adversity:

1. Think About Your Priorities

Consider what exactly is going on in your life and understand the time demands that come from it. Maybe you’re getting married and the planning is time consuming… but you’ve got this novel you just don’t want to let go of for a few months. Getting married is quite different than being stuck in a hospital for the better part of five months, and your time restrictions are going to be different. Whatever your tough situation, think about what you want to achieve. Maybe you can only spare ten minutes a day to write a few paragraphs. But hey, it’s a start!

2. Outline Your Goals

This is where you look at where you want to take your writing career, and realistically try to figure out how to keep writing and stay on track. Do you want an agent, a publishing deal, etc. Because all of that is going to require a time commitment. Working on your goals, and figure out how those work alongside the other needs and commitments you have in your life.

3. Always Be Doing Something – Even if It’s Not Writing

There are loads of positive things you can be doing to keep your head in the game. Read, listen to podcasts, or check out blog posts from other writers – to name but a few.

There are a lot of great writing podcasts out there:

When adversity strikes, you don’t have to let your writing fall by the wayside. But it will if you let it. However, you can not only continue on with your goals in the face of harrowing times, you can amaze others with your work ethic. The tenacity to push through is something almost everyone will admire. It’s also a really good feeling as a writer.

If you can get through adverse times and figure out how to keep writing, you’ll find it that much easier to carve out time on days when you’re not in the middle of a trial.

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Read the full article here: https://www.helpingwritersbecomeauthors.com/how-to-keep-writing/

Top 10 Plot Twists In Fiction | The Guardian 

Gone Girl Film Shot

The word “twist” exerts a strange power over crime fiction addicts like me. Publishers know this all too well, which is why the promise of a twist is often used to advertise books that don’t have twists at all. “You’ll never see the breathtaking twist coming!” screams the press release. Well, no, you won’t, because it doesn’t exist. And so many people think a brilliant resolution is the same thing as a twist. It isn’t. Agatha Christie’s Murder on the Orient Express offers the most impressive puzzle solution in all of detective fiction. But, however ingenious and surprising, it’s not a twist ending.

So what is a bona fide twist? In my view, it has to be something that overturns or negates an already drawn conclusion or a firmly entrenched and reasonable assumption (Orient Express overturns an unreasonable assumption on the part of the reader, which is why I wouldn’t call it a twist).

Writing a twist isn’t an exact science, but part of what makes the brilliant ones so attractive in fiction is that feeling of having everything you thought you knew reversed, inverted or demolished; the fictional equivalent of being on a rollercoaster that suddenly turns upside down, leaving everything looking and feeling very different for the rest of the ride. And the new picture created by the shake-up of the twist has to be one that makes sense and is not risible. For example, if you find out at the end of the novel that the murderer is not the person whose fingerprints were on the knife, but rather his long-dead second cousin who developed marvellous fingerprint-forging technology unknown to science or the reader – that’s not a twist, it’s a travesty.

It’s going to be very hard to do this without spoilers, but I will try. In my opinion, these are 10 excellent examples of novels with genuine twists:

1. My Sister’s Keeper by Jodi Picoult
A moving, complex moral-dilemma story about a girl who takes her family to court in order to win the right to refuse a life-saving bone marrow transplant to her dying sister. What’s great about the twist is that you were neither waiting nor hoping for it – the story feels totally satisfying and complete without it – and yet when it arrives, you realise that there was a carefully and subtly carved space all throughout the novel for that perfect twist to fit into.

2. Rebecca by Daphne Du Maurier
A psychological suspense classic about a woman who marries a man she adores, only to discover that he, his home and his staff are apparently still obsessed by his far more charismatic first wife, to whom our heroine fears she can never measure up. Without revealing anything that’s gone before to be a lie, the twist changes the meaning of everything we’ve seen so far and provides the novel with an exemplary and memorable resolution.

3. Jane Eyre by Charlotte Brontë
Not all superb twists need to come at the end. There’s a twist in the middle of this classic novel that takes it to another level of passion, intrigue and excitement. There are hints before the big reveal, but not even the most imaginative reader would dare to imagine the truth. Twists in the middles of stories rather than at their ends tend to say: “And what do we all think now?” rather than, “So THIS is what we’re supposed to think!” – and this one does that brilliantly.

4. Before I Go to Sleep by SJ Watson
An unputdownable novel about a woman who loses her memory every night as she sleeps, and wakes each next morning remembering nothing. The author expertly leads the reader to assume that there is a binary choice in terms of who and what to suspect, and then reveals at the last moment that there is a third and even more terrifying possibility…

5. We Need to Talk About Kevin by Lionel Shriver
You can tell when a twist is brilliant, because copycats spring up all over. The twist at the end of Lionel Shriver’s masterpiece about a school shooting and a difficult mother-son relationship is one that literally takes your breath away. I’ve read two novels since that have copied and pasted Shriver’s twist as if it hadn’t been done before (or perhaps they simply hadn’t read Kevin!). Either way, neither of the copycats used the twist with Shriver’s panache.

6. Innocent Blood by PD James
I know I don’t have to choose a No 1 – this is, after all, a top 10 – but this novel contains my favourite twist in all of crime fiction. Halfway through this story of an adopted young woman determined to trace her biological parents, there is a twist that made me leap up off my sun-lounger and yell at random holiday makers that they needed to read this book urgently. I won’t say any more – just, please, read it.

7. Shutter Island by Dennis Lehane
This novel about a US Marshal trapped on an island, trying to find an escaped murderer in a sanatorium, has a twist of such audacity, I’m not sure I’d have dared, but I’m very glad Lehane did. It’s so bold and all-encompassing, it’s perfect.

8. Gone Girl by Gillian Flynn
This brilliant thriller contains a meta-twist, devised and inflicted by a central character within the novel rather than by the author herself. It’s a middle-twist rather than an end-twist, and the character responsible spends much of the novel afterward boasting about it. It works exceptionally well.

9. The Secret House of Death by Ruth Rendell
A brilliant crime novel by one of the UK’s finest crime writers, in which the murder itself is the twist. You won’t understand what I mean by that – so you must read the book! The last line, which underscores how profoundly the reader has been fooled, sent a shiver down my spine.

10. Behind Closed Doors by BA Paris
I’m not sure all readers would recognise that this is a twist-based story, but it is. It twists our expectations of the entire psychological thriller genre. The novel begins as a portrait of a marriage in which the wife seems to be a little nervous around her husband… What could possibly be going on? Is he abusive? Does she have a guilty secret? I liked this novel from the start, but a few chapters in, one of the main characters provides information that’s so startling, it shakes up all of the reader’s expectations about the genre they think they’re reading, making the rest of the story all the more exciting.

So there you have it – I hope these have whetted your appetite. If you haven’t yet read them, add them to your TBR pile immediately! Happy reading 🙂

Via: https://amp.theguardian.com/books/2017/aug/16/top-10-twists-in-fiction

The Secret to Being a Happy Author

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I read this lovely post by Sam Tonge, and wanted to share it here – as it is very good and grounded advice. Something all writers and authors need to take on board.

It’s a tough business, publishing. I recall, years ago, a successful author warning a group of aspiring writers (me amongst them) to be careful what they wished for – that getting published didn’t solve all your problems. In fact, it brings a different set. And I can certainly confirm this. Don’t get me wrong, I love my job and consider myself very lucky to be doing it –  but signing that deal means that instead of suffering submission rejections you are faced with a whole new gamut of challenges, such as tight deadlines, bad reviews, disappointing sales…these things happen to all authors and can come as a shock after finally achieving your dream.

It pays to bear in mind that most dreams are unrealistic – the getting published bit isn’t, but it’s what we subconsciously attach to that aspiration. Your view of “getting published” might be that… you earn loads of money. Buy a big house and fancy car. Gain respect from everyone you meet. Suddenly become irresistible to the object of your affection. Never feel depressed again. End up on the Booker List. Stand on the red carpet next to George Clooney. Fit into that size ten dress. Prove to everyone who ever doubted you that their view of you was incorrect.

IT IS UNREASONABLE TO EXPECT ANY OF THESE THINGS TO HAPPEN AS A DIRECT RESULT OF FINALLY GETTING YOUR BOOK OUT THERE!

So how can us writers hold onto our happiness during such a roller coaster career?

Over the last year I’ve learn a lot from Buddhism. One of its tenets is that unhappiness comes from being attached to either good or bad things. What helps is realising that nothing is permanent. If we can do that, our life will achieve a sense of balance.

Take my 2015 bestseller Game of Scones. It reached #5 in the Kindle chart and stayed in the Top Ten for a good length of time. It won an award. Many readers loved the story. I was finally on my way to “making it” I whooped! I attached myself to that success and expected it to continue.

That was my  mistake. The next book didn’t do badly, but didn’t do as well. I felt I’d failed. I attached myself to those feelings of disappointment and wondered if I’d ever have a bestseller again.

As it turned out I did and last year Breakfast Under a Cornish Sun got to #8. However, these days I have a different perspective. I don’t become attached to the peaks or the troughs. And I have zero expectations when a book is released. I write it the best I can, with love and heart, and I promote it at the outset… but then I let it go and get on with my next project. What will be will be. There are SO MANY reasons why a book does or doesn’t do well: the publisher’s strategy, the cover, title, price, the timing of its release, the other books around at that moment… I find that if I distance myself from my successes and see them for what they are – transitory events – it gives me a much more balanced view of my career.

Remember, the path to misery is littered with expectations and senses of entitlement!

And all of this can be applied to life. Physical looks, our own and loved ones’ personalities, domestic circumstances, financial earnings, our state of health … be aware that everything is impermanent and in a constant state of flux. This makes it easier to accept your situation when the status quo changes – which it will.

By all means enjoy your highs. You have worked hard. You deserve them. And lick your wounds during the lows. But remember – neither is permanent. Work hard and keep submitting manuscripts and you will get a deal. Keep writing and learning more about your craft and those good reviews and sales rankings will once again appear. Finding working with your current publisher/editor/agent difficult? One way or another that situation won’t last forever.

In my experience, keeping detached and enjoying the good moments simply for what they are (without further expectations), and realising the bad moments will eventually pass… THAT – in writing and in life – is the secret to happiness.

Via: http://samanthatonge.co.uk/news-and-blog/the-secret-to-being-a-happy-author/

The Weird Things Librarians Find In Books

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As readers, we have all flipped through books for various reasons. Maybe you like that new book smell, or maybe, you are a librarian and flipping through books is an everyday process. When it comes to collection development, we must constantly assess our library’s collection and make important decisions about properly weeding material to keep our collections current. The last thing you need is to house a book highlighting MS-DOS when most computers are running Windows 10. That’s a disservice to patrons and it just shows a lack of respect for the profession (I have known some of these lazy librarians).

While flipping through thousands of books over the years, librarian’s have found some very weird things hidden in between the pages. Some of the things found have not been shockers but others have been weird. Before you ask: yes, condoms have been found inside books. Don’t people use wallets and purses anymore? Anyway, here are some librarian insights of the weirdest things they have found inside books. They range from the not too weird to complete NSFW moments:

“I once opened a book and found a tin can lid inside. I did not want to cut myself so I walked the book over to the trash can and slid the lid off the book to dispose of it. I thought it was some kind of brujeria (witchcraft)!”

“One time I found $100 in 20s. It was quite a large amount of money to be hidden in a book. I located the patron who last checked out the book and after some questioning, I verified he was indeed the one who left the $100 behind.”

“As I was going through book donations, I noticed one book had a large amount of papers sticking out of it. I pulled the papers out and after reading through some of them, I quickly realized they were either sexual letters written to a woman or someone was working on some serious erotica for a future book. The details were pretty graphic so I had to toss them in the trash pretty quickly.”

“A patron returned some damaged books in our book drop once. The books had been chewed on by a dog and as I was flipping through the pages to verify the extent of the damage, hairs (possibly pubic, possibly from the dog) fell out of the book onto my lap. I just about puked on myself. I ran to the bathroom to wash my hands about 10 times before I felt like I got the nastiness off of me.”

“One time I opened a donated book and there was a letter in there from a woman to a family thanking them for helping her learn to play music. The letter was very old so I decided to research the name of the woman who wrote the letter. It turns out she became a famous musician! I thought it was the coolest thing. I am tempted to reach out to her to let her know I found her letter.”

“A coworker and I were checking in books at the circulation desk when we noticed one book looked odd. The pages were spaced apart in a weird way. Upon further inspection, we noticed there was hair taped to multiple pages throughout the book. It was gross and creepy so we decided to discard that book right then and there.”

“All I can say is I have found unmentionables that include condoms (wrapped and unwrapped), tampons and other nasty things.”

I have to say that finding weird and nasty things inside books is not an every day occurrence for librarians but it does happen. I admit that I have multiple hand sanitizers in my desk drawer and I use them often if handling library books. I mean, I don’t know where some of those books have been! What are some weird things you have found in books?

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Via: https://bookriot.com/2017/08/15/things-librarians-find-in-books/

Readers prefer authors of their own sex, survey finds | The Guardian

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An interesting article – I wonder if it still rings true?

Book review website Goodreads has uncovered a sharp gender divide in reading preferences, with analysis of 40,000 of its members finding that they leaned almost entirely towards selecting books by writers of their own sex.

2014 has been dubbed “the year of reading women” after a campaign by the author Joanna Walsh took off in January, but Goodreads’ data showed that male authors accounted for 90% of men’s 50 most-read titles this year. Before female writers rush to find a new male pseudonym, however, the converse is also true: according to Goodreads, “of the 50 books published in 2014 that were most read by women, 45 are by women, and five are by men”. And one of those men was Robert Galbraith, or JK Rowling.

“Ultimately, when it comes to the most popular 2014 books on Goodreads we are still sticking to our own sex,” says the reading website, as it laid out its investigation into the reading habits of 40,000 of its most active readers in 2014: 20,000 men and 20,000 women.

The analysis also found that in the first year of publication, 80% of a female author’s audience will be women, compared to 50% of a male author’s audience. But while women appear more open to reading books by both male and female authors, they like books by women more – and so do men. “On average, women rated books by women 4 out of 5 and books by men 3.8 out of 5. Surprise! Men like women authors more, too – on average men rated books by women 3.9 out of 5 and books by men 3.8 out of five,” said Goodreads.

Goodreads was prompted to perform its survey after “the #readwomen movement inspired us to take a closer look at where readers fall along gender lines”, it said in a blog laying out the results. #readwomen was kicked off by Walsh at the start of the year, asking readers to expand their literary horizons in the wake of statistics from US women in the arts organisation Vida showing a vast imbalance in the numbers of women reviewed and reviewing in today’s literary press. Walsh said yesterday that, while it was difficult to collect statistics on how many people are reading women writers, “response to #readwomen2014 on Twitter has been enthusiastic, with both men and women, including many ‘professional’ readers (ie reviewers and book bloggers) pledging to expand their reading lists in some self-defined way, whether it’s investigating a new sector of women’s writing (for me, this year, it’s been women in translation), reading 50%, or 100% women writers this year”.

Elizabeth Khuri Chandler, editor-in-chief and co-founder of Goodreads, said that Goodreads’ aim in sharing the data “was to stimulate conversation and self-reflection” and “to create a space for some friendly conversation about the subject”.

“It’s been fascinating to see our members discussing the male author/female author ratio of their own reading. For the most part, people are saying that they don’t set out to read a male author or a female author. It’s all about the book. But when they look at their reading lists, some of them are realising that maybe they might want to deliberately explore some different authors,” she said.

According to Goodreads’ data, men and women read the same number of books in 2014 if books from all publishing years are considered, but women read two times as many books published in 2014 as men.

“There is a caveat to the data we shared,” said Khuri Chandler. “We focused on men and women who are already active readers. So, we can’t say that the data covers all men and women. For our two groups, we learned that the men and women read the same amount of books. We did find, though, that with these active readers, the men did tend to gravitate to reading more male authors. But they did read some female authors too – it wasn’t all male authors. Also, it seems that our group of active male readers read books from a broader range of publishing dates than our group of active female readers. The female readers had more of a preference for the books published in 2014.”

Khuri Chandler added that, looking at the comments from readers about the Goodreads data, “some men said they felt they read more male authors because of the type of books they like to read. They thought that more male authors tended to write in the genres or about the topics that interest them than female authors. We also noticed that most people were unaware of the gender breakdown of the book they were reading. It certainly seems like an untapped area to explore.”

The five most-read books by women that men were reading this year, according to Goodreads, were City of Heavenly Fire by Cassandra Clare, We Were Liars by E Lockhart, Cress by Marissa Meyer, The Storied Life of AJ Fikry by Gabrielle Zevin, and Four by Veronica Roth – a mix of young adult novels, dystopias, and Zevin’s homage to bookshops. The most popular titles by male authors among female readers, meanwhile, were Hollow City by Ransom Riggs and The Blood of Olympus by Rick Riordan, both young adult titles, Anthony Doerr’s historical novel All the Light We Cannot See, Stephen King’s thriller Mr Mercedes – and The Silkworm, by the not-so-male Galbraith.

Walsh repeated a much passed-around quote, in which AM Homes cited another standout woman writer: “As Grace Paley once said to me, ‘Women have always done men the favour of reading their work and men have not returned the favour.”’ This didn’t, at first, seem to be borne out by Goodreads’ infographic, which showed women and men choosing books by their own sex as their favourites, said Walsh.

But she added: “It’s worth bearing in mind that the Vida statistics concentrate on literary fiction, and non-fiction, in which a bias towards books and reviews by men is clear in some publications, whereas the top Goodreads books include many crime, young adult and other titles less likely to be reviewed in the publications Vida covers.”

Via: https://amp.theguardian.com/books/readers-prefer-authors-own-sex

14 Thoughts You Have When Someone Tries To Talk To You While You’re Reading

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Everyone has a few pet peeves: someone chewing with his or her mouth open, talking on the phone on public transport, letting the dishes pile up in the sink for weeks. But for a book-lover, there’s no greater pet peeve than someone attempting to talk to you while you’re reading. It’s like yanking headphones out of someones ears, or deciding to discuss your drama in the middle of a midnight showing of a brand new movie. In other words: it’s rude.

Sure, someone reading a book may not look like they’re doing all that much. You might think: She’s just sitting there, and she’s just holding a book in her hand — what’s the big deal? What you can’t see is that person’s mind sucked into a completely different world, full of characters and suspenseful plots and so much more. It’s sort of the worst thing to be sucked back out for a conversation that nine times out of ten can wait, at least for a few minutes while I finish up the chapter.

Granted, I understand there are some conversations that can’t wait. I’m a reasonable person, but at the same time, I like my book time. If you take public transport, read while you’re on lunch break, or have a few roommates who don’t grasp the idea of “quiet time”, then you’ve definitely had these 14 thoughts when someone tires to talk to you while in the middle of a really, really good book:

1. “Can you not?”

2. “I wonder if he’ll stop talking to me if I raise the book higher?”

3. “I should’ve put headphones on.”

4. “Did this person forget the whole ‘reading means quiet time’ lesson in Primary School?”

5. “I bet you’re the type of person to talk in a movie theater, too.”

6. “I wonder what would happen if I just respond to this conversation with only the dialogue from this book…?”

7. “Is it rude if I ask him to stop talking? Does this make me a horrible person? Am I the worst listener in the world?” (Technically 3 thoughts, but hey.)

8. “How many shrugs does it take for you to get the hint I’m not interested?”

9. “What did I do to deserve this?”

10. “Pretend to care, pretend to care…”

11. “Nope, I just can’t.”

12. “I’m going to invest in Audio Books from now on.”

13. “I think he’s finally taken the hint — Victory!”

14. “Now I can’t find the sentence where I left off…”

Hopefully this gave you a giggle, and anyone reading it will realise in future not to interrupt – or maybe you can ‘accidentally’ leave it somewhere said person can read this – hint hint!

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Via: https://www.bustle.com/articles/169329-14-thoughts-you-have-when-someone-tries-to-talk-to-you-while-youre-reading

How to Make Time For Reading | 7 Tips

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WHY

“Reading for pleasure is so important for emotional health,” says Yale linguistics professor Kenneth Pugh. “It’s good for the soul.” It also strengthens creativity by challenging us to do more “interior” work – Pugh likens it to weight lifting for the mind. (And whose brain doesn’t need a bit of a workout?) “The author invites you into the world they created, but what that world looks, feels and sounds like is totally up to the reader,” says Reagan Arthur, senior vice president and publisher at Little, Brown and Company. “When you connect with a book, a relationship develops between you and the author that then expands to embrace all the readers who’ve shared that experience and form a unique community.”

HOW

1. Don’t leave home without it – a book or reading device, that is. Having something on hand means you can sneak in a few pages while commuting, waiting at soccer practice, standing in line at the post office or whenever you find yourself with a bit of free time.

2. Pencil it in. Half your life is scheduled, so be sure to add in the fun things too. Block out time on your calendar, even if it’s just 20 minutes. Think of it as your daily reading assignment and stick to it.

3. Make a swap. Trade an hour of your latest Netflix addiction for some quality book time.

4. Keep a book on your nightstand – and your phone in the other room.

5. Make it a habit to read a chapter before bed. You may even find you fall asleep faster.

6. Always have another book ready on deck so that you can dive right in.

7. Don’t worry about reading in short snatches. It does add up, and those snippets can leave you wanting more.

WHAT

“A great bookseller or librarian can’t be beat for steering you to the right book,” says Arthur. “Author interviews also often lead me to books I love.”

Check out these helpful podcasts, best-seller lists and sites for inspiration:

The New Yorker Fiction Podcast

Slate’s Audio Book Club

The New York Times Best Sellers

Goodreads.com

2017 Popsugar Reading Challenge

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Via: http://www.familycircle.com/family-fun/books/how-to-make-time-for-reading-7-easy-tips/

LGBTQ+ Book Trade Network Launches | Bookseller

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Pride in Publishing (PiP), a brand-new networking group for LGBTQ+ people in the industry, has launched on Friday (25th August 2017) to create a way for queer members of the publishing industry to meet up, connect with others and find peer support.

The professional networking group aims to provide a space where LGBTQ+ employees in publishing can find fellowship and air suggestions for how to create progress for LGBTQ+ people and representation in the industry.

“It will be a members-led group, so various initiatives will be proposed and developed by members,” said Maisie Lawrence, one of the group’s co-founders and editorial assistant at Simon & Schuster. “In this important year, 50 years since the partial decriminalisation of homosexuality, we want to do everything we can to support and promote LGBTQ+ voices and books in the industry.”

PiP is open to professionals working at publishing-related concerns, such as publishing companies (from any department), agencies, bookshops and libraries.

Wei Ming Kam, co-founder of the BAME In Publishing network and sales and marketing executive at Oberon Books, said that the group wants to be as inclusive as possible, stating: “We aim to provide a welcoming space for all on the LGBTQ+ spectrum, including trans, non-binary, asexual and intersex people.”

It is hoped that in time the group willl inspire offshoots specialised in specific areas of publishing and where authors, who are keen on increasing LGBT representation in their books, can also get involved.

The idea for the group sprung from a offhand conversation in which several of the group’s co-founders were surprised that such an organisation wasn’t already in operation.

Louie Stowell, senior editor for non-fiction at Usborne and co-founder of PiP, told The Bookseller: “We were just really surprised that a network didn’t exist already. And lots of people had been having the conversation about why isn’t there a network so we just decided to do it.

“It’s less about benefitting us [as LGBTQ+ employees] as about making our output more inclusive and representative, because I still feel we have a long way to go and I think everyone is on the same page about that.”

Penguin Random House this year put on a Penguin Pride event in partnership with Stonewall to celebrate the importance of literature in the progression of LGBT equality at Proud, Camden, during London Pride fortnight, around which time W H Smith Travel ran a promotion dedicated to gay literature to mark 50 years since the decriminalisation of homosexuality.

Stowell added: “In the past few years I’ve definitely noticed a difference in visibility and representation already and it would be really good if everyone had a place to talk about it in the same room; that’s basically what we are after. Then, across publishers, we will have more impact.”

PiP’s seven co-founders – Maisie Lawrence, Wei Ming Kam, Eishar Brar, Louie Stowell, Kate Davies, Nicky Borasinski and Linas Alsenas – hail from publishers spanning Simon & Schuster, Oberon Books, Scholastic, Usborne Publishing, Thames & Hudson and Puffin & Ladybird.

The group will begin with monthly meet-ups. The first, described as an informal get-together, is scheduled for 27th September and will be held at Faber & Faber offices in London.

To join PiP and RSVP to the event, those interested are invited to email prideinpublishinguk@gmail.com with their name, company and job role.

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Via: http://www.thebookseller.com/news/pride-publishing-launches-lgbtq-network-book-trade

The Psychological Comforts of Storytelling

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When an English archaeologist named George Smith was 31 years old, he became enchanted with an ancient tablet in the British Museum. Years earlier, in 1845, when Smith was only a five-year-old boy, Austen Henry Layard, Henry Rawlinson, and Hormuzd Rassam began excavations across what is now Syria and Iraq. In the subsequent years they discovered thousands of stone fragments, which they later discovered made up 12 ancient tablets. But even after the tablet fragments had been pieced together, little had been translated. The 3,000-year-old tablets remained nearly as mysterious as when they had been buried in the ruins of Mesopotamian palaces.

An alphabet, not a language, cuneiform is incredibly difficult to translate, especially when it is on tablets that have been hidden in Middle Eastern sands for three millennia. The script is shaped triangularly (cuneus means “wedge” in Latin) and the alphabet consists of more than 100 letters. It is used to write in Sumerian, Akkadian, Urartian, or Hittite, depending on where, when, and by whom it was written. It is also an alphabet void of vowels, punctuation, and spaces between words.

Even so, Smith decided he would be the man to crack the code. Propelled by his interests in Assyriology and biblical archaeology, Smith, who was employed as a classifier by the British Museum, taught himself Sumerian and literary Akkadian.

In 1872, after the tablets had been sitting in the British Museum’s storage for nearly two decades, Smith had a breakthrough: The complex symbols were describing a story. Upon translating the 11th tablet, now widely regarded as the most important part of the story, Smith told a coworker, “I am the first person to read that after 2000 years of oblivion.” The U.K. Prime Minister at the time, William Gladstone, even showed up to a lecture Smith later gave on the tablets, whereupon an audience member commented, “This must be the only occasion on which the British Prime Minister in office has attended a lecture on Babylonian literature.”

Humans are inclined to see narratives where there are none because it can afford meaning to our lives, a form of existential problem-solving.

The story on the 11th tablet that Smith had cracked was in fact the oldest story in the world: The Epic of GilgameshGilgamesh has all the trappings of a modern story: a protagonist who goes on an arduous journey, a romance with a seductive woman, a redemptive arc, and a full cast of supporting characters.

Humans have been telling stories for thousands of years, sharing them orally even before the invention of writing. In one way or another, much of people’s lives are spent telling stories – often about other people. In her paper “Gossip in Evolutionary Perspective,” evolutionary psychologist Robin Dunbar found stories’ direct relevance to humans: Social topics, especially gossip, account for 65 percent of all human conversations in public places.

Stories can be a way for humans to feel that we have control over the world. They allow people to see patterns where there is chaos, meaning where there is randomness. Humans are inclined to see narratives where there are none because it can afford meaning to our lives – a form of existential problem-solving. In a 1944 study conducted by Fritz Heider and Marianne Simmel at Smith College, 34 college students were shown a short film in which two triangles and a circle moved across the screen and a rectangle remained stationary on one side of the screen. When asked what they saw, 33 of the 34 students anthropomorphized the shapes and created a narrative: The circle was “worried,” the “little triangle” was an “innocent young thing,” the big triangle was “blinded by rage and frustration.” Only one student recorded that all he saw were geometric shapes on a screen.

Stories can also inform people’s emotional lives. Storytelling, especially in novels, allows people to peek into someone’s conscience to see how other people think. This can affirm our own beliefs and perceptions, but more often, it challenges them. Psychology researcher Dan Johnson recently published a study in Basic and Applied Social Psychology that found reading fiction significantly increased empathy towards others, especially people the readers initially perceived as “outsiders” (e.g. foreigners, people of a different race, skin color, or religion).

Interestingly, the more absorbed in the story the readers were, the more empathetic they behaved in real life. Johnson tested this by “accidentally” dropping a handful of pens when participants did not think they were being assessed. Those who had previously reported being “highly absorbed” in the story were about twice as likely to help pick up the pens.

A recent study in Science magazine adds more support to the idea that stories can help people understand others, determining that literary fiction “uniquely engages the psychological processes needed to gain access to characters’ subjective experiences.” That’s to say, if you read novels, you can probably read emotions.

But why start telling stories in the first place? Their usefulness in understanding others is one reason, but another theory is that storytelling could be an evolutionary mechanism that helped keep our ancestors alive.

Storytelling could be an evolutionary mechanism that helped keep our ancestors alive.

The theory is that if I tell you a story about how to survive, you’ll be more likely to actually survive than if I just give you facts. For instance, if I were to say, “There’s an animal near that tree, so don’t go over there,” it would not be as effective as if I were to tell you, “My cousin was eaten by a malicious, scary creature that lurks around that tree, so don’t go over there.” A narrative works off of both data and emotions, which is significantly more effective in engaging a listener than data alone. In fact, Jennifer Aaker, a professor of marketing at the Stanford Graduate School of Business, says that people remember information when it is weaved into narratives “up to 22 times more than facts alone.”

The value humans place on narrative is made clear in the high esteem given to storytellers. Authors, actors, directors – people who spin narratives for a living are some of the most famous people in the world. Stories are a form of escapism, one that can sometimes make us better people while entertaining, but there seems to be something more at play.

Perhaps the real reason that we tell stories again and again – and endlessly praise our greatest storytellers – is because humans want to be a part of a shared history. What Smith discovered on that 11th tablet is the story of a great flood. On the 11th tablet – or the “deluge tablet” – of Gilgamesh, a character named Uta-napishtim is told by the Sumerian god Enki to abandon his worldly possessions and build a boat. He is told to bring his wife, his family, the craftsmen in his village, baby animals, and foodstuffs. It is almost the same story as Noah’s Ark, as told in both the Book of Genesis and in the Quran’s Suran 71.

Humans have been telling the same stories for millennia. Author Christopher Booker claims there are only seven basic plots, which are repeated over and over in film, in television, and in novels with just slight tweaks. There is the “overcoming the monster” plot (BeowulfWar of the Worlds); “rags to riches” (Cinderella, Jane Eyre); “the quest” (Illiad, The Lord of the Rings); “voyage and return” (OdysseyAlice in Wonderland); “rebirth” (Sleeping Beauty, A Christmas Carol); “comedy” (ends in marriage); and “tragedy” (ends in death).

Helpful as stories can be for understanding the real world, they aren’t themselves real. Is there such a thing as too much fiction? In Don Quixote, Cervantes writes of main character Alonso Quixano, “He read all night from sundown to dawn, and all day from sunup to dusk, until with virtually no sleep and so much reading he dried out his brain and lost his sanity …”

The next morning, however, Alonso Quixano decided to turn himself into a knight. He changed himself into Don Quixote, deciding he would pave his own journey. Then he went off, “seeking adventures and doing everything that, according to his books, earlier knights had done.”

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Via: https://www.theatlantic.com/health/archive/2014/11/the-psychological-comforts-of-storytelling/381964/

14 Love Lessons From Jane Austen (who kind of knew what she was talking about)

Jane Austen Article

Even now, centuries after her works were published, Jane Austen’s wisdom remains very much alive, gracing the pages of calendars, postcards, posters, canvas bags… oh, I don’t have to tell you, because you own it all. And some of the best advice Austen ever gave? In the department of love. It makes sense, though, right? Relationships are at the core of Jane Austen’s works, after all: relationships between siblings, fathers and daughters, and friendships. Perhaps the most interesting and memorable relationships in her novels, though, are the romances. There’s simply no author who writes about love quite like Austen does.

Austen’s own love life has always been a bit of an enigma – she never made it to the altar herself, which can often seem at odds with her books. In fact, the writer’s romantic life is a source of fascination, of boundless speculation: numerous works have tried to assign her a romantic history, including the charming movie 2007 Becoming Jane.

Regardless of Austen’s own backstory, we see ourselves in her pages – and her words tell us that she understood deeply the thrills and challenges of falling in love. What is so powerful about the romantic relationships in Austen’s novels is that love is a form of growth and self-knowledge – the experience of falling in love frames her characters’ coming-of-age stories, or prompts their later-in-life reinventions. That’s why the love stories of Darcy and Elizabeth, or Knightley and Emma, continue to feel both so powerful and so relevant. By now, most of Austen’s best romantic couples are household names, and her plot lines have inspired echo after echo of modernized retellings, from Bridget Jones’s Diary to Clueless to the Lizzie Bennet Diaries (PSA: those of you who haven’t yet watched the webseries and its cousin, Emma Approved, do it now. Everything else can wait.)

Even if your copy of Pride and Prejudice is, by now, frayed and over-underlined, it never hurts to revisit Austen’s works – and re-experience the humbling, empowering love stories that drive each of her books. Here are 14 Love Lessons From Jane Austen:

1. Try not to judge at first sight

I’m going to open with the obvious. As any self-respecting Austen fan would know, Pride and Prejudice was initially titled First Impressions, and this is a central theme in the book. We all know how it goes: when Darcy and Elizabeth first meet, they judge one another pretty harshly, but as the novel unfolds, they both come to realise that there’s a lot more to the other — and to themselves — than what first meets the eye. The plot of Pride and Prejudice is, by now, a romantic comedy trope: two people who hate each other realise that they have more in common than they thought and perhaps without really meaning to, fall in head-over-heels in love. Pride and Prejudice follows the internal growth of each of these iconic characters — for Darcy and Elizabeth, the experience of falling in love is humbling and requires a great deal of soul-searching.

2. The right kind of love is the love that makes you want to become a better person

True love does not come easily to Darcy and Elizabeth. Both of them must, in their own way, rise to the challenge. Yes, the book ends in their marriage, but their marriage is only possible because they’ve both grown enough to admire and respect one another, flaws and all.

3. Don’t let a third party meddle in your relationship

Jane and Bingley, I’m looking at you. Even accounting for 19th century social conventions, these two are incredibly gun-shy, and both of them let their flaws get the best of them. Jane allows her shyness and reserve to be interpreted as lack of interest, and Bingley yields to his own insecurities, letting himself be convinced that she doesn’t care for him. (Caroline Bingley: 1, Jane: 0.) Maybe if they had communicated better, this almost-catastrophic misunderstanding could have been avoided — but then again, that would totally ruin the plot of Pride and Prejudice.

4. Don’t marry for money (but having money doesn’t hurt!)

I’ve always loved the passage in Pride and Prejudice in which Elizabeth teases Jane about when she first realised she had feelings for Darcy. “It has been coming on so gradually, that I hardly know when it began,” she says “But I believe I must date it from my first seeing his beautiful grounds at Pemberley.” (Sigh. I can almost see the twinkle in her eye.) While Elizabeth is clearly joking, there is some truth to her flippant response. Seeing the place where someone grew up and meeting people who knew them when they were children can speak volumes about their character — and there’s a special kind of affection that comes from learning about how someone’s past has made them who they are.

5. Love isn’t like it is in the movies

Or the novels of the 18th century. Back when Austen was writing Northanger Abbey, novels were seen much the same way we see bad TV (or actually, probably worse). Intellectuals (specifically male intellectuals), worried about what reading novels might do to women’s oh-so-fanciful minds. Austen both rejects and embraces this sentiment in Northanger Abbey, setting out to prove that just because gothic novels like Anne Radcliffe’s Mysteries of Udolpho are sensationalist and implausible (but still fun!), doesn’t mean that novels can’t represent and examine reality. In fact, as Austen sets out to prove, true emotion can be as painful and scary as getting kidnapped by a crazy, obsessed suitor. The same is true of love. While Henry Tilney and Catherine Morland’s story is hardly sweep-you-off-your-feet romantic (though it is pretty sweet), it’s based on mutual understanding and shared experiences.

6. Do not trust words over actions

This is a lesson for Catherine as much as it is for her brother James. Both of them are taken by the charming, airy Isabella Thorpe — and it takes them a little too long to realise that she’s only in it for the money. (Boy, does Isabella miss the mark.) Don’t make excuses for people’s actions — more often than not, people’s actions tell you a lot more about their true intentions than their eloquently expressed, oh-so-profound emotions. (And yes, that is Carey Mulligan and Felicity Jones.)

7. Be patient and steadfast

You’ve got to give Mansfield Park’s Fanny Price props for all her patience. She stood by Edmund Bertram through his awkward, misguided crush on Mary Crawford (a fascinating character in her own right.) Yes, some might argue that Fanny is a bit too passive, too willing to wait on the sidelines for her cousin (yes, I know) to notice her. Still, there’s something to be said for the way Fanny allows Edmund make his own mistakes and come to the conclusion that she’s the best person for him on his own. (Right?) To be honest, I’ve always admired Fanny. Like many of Austen’s other heroines, she is strong-minded and stands by her convictions — and these are traits any of us can raise a glass to.

8. It’s OK to be impulsive, but keep a good head on your shoulders

Emotions are as powerful as they are important. But as Marianne Dashwood learns in Sense and Sensibility, when people show us who they really are, we need to pay attention, and not allow ourselves to be completely taken over by emotion.

9. Don’t be so scared to say what you feel

It is a truth universally acknowledged that rejection stings. A lot. But Sense and Sensibility’s Elinor Dashwood and Edward Ferrars would have gotten a lot further if they’d just admitted their feelings to each other — hell, even to themselves. I know, I know, it would have violated social conventions and all that (and Elinor is nothing if not a stickler for proper manners), but come on, they would have saved themselves so much unnecessary suffering.

10. Keep an open mind

Marianne is broken-hearted when Willoughby shows his true colors, but she eventually manages to open her heart to Colonel Brandon — who ends up being exactly the kind of husband that she needs. Still, it takes more than Elinor’s levelheaded prodding to get her to give Colonel Brandon a chance. Keep your eyes open — you never know who you might be overlooking.

11. It’s never too late for a second chance at love

Second chances are, in fact, at the core of Persuasion. When Captain Wentworth reappears in Anne Elliot’s life after eight years apart, she is floored. She and Wentworth have a history: a short-lived romance in their early twenties that came to an abrupt and painful ending. Despite being completely in love with him, 19-year-old Anne rejected his marriage proposal based on her trusted friend Lady Russell’s advice, because Wentworth could not provide her with the life that she was used to — and also, due to fear of holding him back in his career. Though it takes these two some time to make their way back to each other, Anne and Wentworth eventually discover that their feelings have not changed through the years — in fact, getting to know each other again as adults only deepens their love and understanding. Wentworth eventually swallows his pride to ask the woman he loves, once again, if she will spend the rest of her life with him — writing the famously impassioned line: “I am half agony, half hope.”

12. Don’t give up on the person you love

Yes, Anne had said no to marrying him, but even Wentworth admits that he was a fool not to try to find her after he’d established himself professionally in the navy and was able to marry. While he did eventually find his way back to her, he could have saved them both a lot of heartache if he’d held fast to his conviction that they belonged together. Life (or, OK, Austen’s pen) gave Anne and Wentworth a second chance at love, but they very well could have done this for themselves.

13. Sometimes the right person has been in front of you all along

Sometimes you fall in love with your best friend. Emma is a wonderful, powerfully-written character study, among other things. Despite thinking herself above love and marriage, Emma Woodhouse eventually comes to understand that there is and always has been only one man for her. As she tries her hand at matchmaking, convinced that she knows what’s best for everyone, Emma realises that she’s a little more vulnerable and a little more (dare I say it) flawed than she’s ever allowed herself to believe. Her good friend Mr. Knightley, however, has always seen her for who she is — and loves her all the more for it.

14. Often the best kind of love isn’t flashy but steady, loyal, and uncompromising

Mr. Knightley does not subscribe to Frank Churchill’s pomp and circumstance, but he is an intelligent, fair-minded man who is capable of loving passionately — even if his always-calm demeanor suggests otherwise. “If I loved you less, I could talk about it more,” is one of my absolute favourite Austen lines. Austen really gets at just how deeply Mr. Knightley feels for Emma — and how, though he may not be one for big romantic gestures, he truly understands and respects her (sounds boring, I know, but it’s rarer than you might think.) In fact, because of this, Mr. Knightley may just be the all-time best Austen hero.

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Via: https://www.bustle.com/articles/62958-14-love-lessons-from-jane-austen-who-kind-of-knew-what-she-was-talking-about-amirite